I won’t work on any sculpture until April.
I haven’t had my hands in clay for months now. Two months ago I took a mostly full-time job that presented itself while keeping my part-time work with M-DAT as well, so am putting in at least 45 hours a week. On top of this we got a puppy (which we didn’t realize was going to be so much work, living on the second floor of a downtown apartment) and now have no time for anything but survival.
And my wife and I made an offer on a house.

So we’ll be making a few minor renovations before moving in around the middle of April, mainly to make it more puppy friendly. Which will hopefully in turn gain us back some time during the day to 1) sleep 2) have time to cook and clean 3) have time to work on our crafts.
It’s quite small as far as finished space, but will be 1,400 square feet plus when you include the basement. It has a single garage as well with it’s very own 100 amp electrical panel. Talk about overkill for a tiny shared garage. My wood shop will be in the garage, and clay studio in the basement. When we can get everything moved over there. The wife will have a bedroom for all of her yarn.
Hopefully we’ll be back on track before storm season up here in Nebraska!
Been pretty quiet the past few weeks here on the blog eh?
Bloggy buddy and painter Jim Janknegt has suggested in the past that art students should be taught a trade while earning their degree. I like this idea. It makes use of artists’ natural ability to work with their hands while acknowledging how difficult it is to make a living as a painter or sculptor, especially right out of college. Even if the overly idealistic students don’t want to acknowledge the fact. Furthermore, trades generally pay more than other jobs aspiring artists often end up in. And we all like a little more in the paychecks.
The absence on the blog is thanks to a new full time job. I’m working in a trade again. I have a little bit of experience in quite a few different trades: Landscaping, offset printing, woodworking, a variety of building trades including framing, wiring and painting. My new gig is with a painter, someone I actually helped out for a couple of summers while in college.
I’m also still working for M-DAT. Between the two I have very little time left in a day. The plan at this point is to focus intently on my sculpture on the weekends. I’ve been thinking a lot lately about how soon I can build myself a soda kiln, and if I can make it somewhat portable. I don’t need a large one, and I already have some salvaged brick that can help out.
A friend recently counted the friends he has who are currently without jobs, and they numbered ten. So, regardless, I’m grateful for the work.
Finally spending some time in the studio again.
It appears I have the kiln in working order after putting the old switches back on. It’s loaded and ready to fire this weekend. Here’s hoping everything goes well. It will be the first firing in this studio space with a rewired kiln. Below I’m putting some underglazes on pomegranates.

The fruit is a little outside of my normal inspiration, although I have long been fascinated by their dry and mottled surface. My interest in them also probably stems from the Biblical design of the tabernacle, where the Israelites were told to craft pomegranates of unnatural colors (blue, purple and scarlet) for the hem of the priest’s garment (Exod 28:31-35).
On the way back from lengthy holiday travels we drove up through Lawrence, Kansas to see the White Show. Jane Flander’s ceramic bones were some of my favorite pieces.
The show will be traveling to Hausmann Millworks in San Antonio for a February 19th opening. Below is Betsy Timmer’s amazing Rag Rug.
I found this walking back from breakfast to the apartment I’m calling home this week in St. Louis. Wondering if I can make a mold of it and slipcast a few of them.